Vladimir Nabokov

Rhyming with Redeemer - new book on Pale Fire

By M_and_J, 22 April, 2025

Dear Nabokovians, 

We are writing to share our new book: Rhyming with Redeemer: A Commentary on Vladimir Nabokov’s Pale Fire. This book began as a pandemic project in 2020, so after several years of working as a two-person team, we are so grateful to share it with a community of dedicated Nabokovians! Alternating between thematic exploration and close reading, our book examines redemption through a commentary on Nabokov’s 1962 novel Pale Fire. It is available as a free pdf attached (which allows a two-page view, which we think is easiest to read), or via Google Drive here: https://drive.google.com/file/d/1waMinzHp__cgeMrIcoLr9LbTBoBnODKN/view?usp=sharing

The odd chapters (1, 3, and 5) attempt to articulate Nabokov’s theory of redemption on a thematic level, reading him in tandem with kindred philosophers such as Judith Shklar and Walter Benjamin. The even chapters (2 and 4) consist of a close reading of Pale Fire, proposing theories that include: 

  • Charles Kinbote, King Charles, and Jakob Gradus are three identities who inhabit one body
  • Charles Kinbote shoots John Shade during an episode as Jakob Gradus
  • The Zemblan Revolution is really the Hungarian Revolution of 1956
  • The mystery of the crown jewels is unlocked via the story of the Hungarian crown jewels
  • Hazel Shade is one of many “serial selves” who comprise the true poet of New Wye
  • Charles Kinbote constructed John Shade as a mask to conceal the true poet of New Wye
  • By using Hamlet as a map, a sexual relationship and pregnancy between Charles Kinbote and the poet is revealed, as well as a ghostly message from King Alfin to his struggling son
  • By wielding the concepts of “serial selves” and “Word Golf,” the poet is revealed to be Misha Gordon
  • True events of the poet’s fatal March night come into focus by tracing themes of a car accident and death through the Foreword, Poem, Commentary, and Index

Because we get into a small amount of personal detail, we’re sharing this book anonymously, but if you wish to discuss any of these themes or theories, please feel free to email us at: rhymingwithredeemer@gmail.com.

Thank you!

– M and J

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