Intermedial Nabokov and Popular Culture
Since the 1960s, scholars have been debating the (de)merits of cinematic versions of Lolita.
By the turn of the twenty-first century, Nabokov studies began to
expand its scope to include discussions of how Nabokov’s narrative texts
integrate other media and of how his works are adapted by other
artists.
This special issue of NOJ will be devoted to the roles and intersections of intermediality and popular culture in Nabokov’s œuvre
and in the present-day Nabokov imaginary in the widest sense. Essays
may address the particular significance of intermediality for the
absorption of popular culture into Nabokov’s works and vice versa. They
may just as well discuss the forms and functions of intermediality in
works of popular culture that reference and adapt Nabokov’s works.
Guest-edited by Professor Nassim Balestrini. For details contact: nassim.balestrini@uni-graz.at
Deadline for submission: 15 December 2014
*********************************************************
Univ.-Prof. Dr. phil. Nassim W. Balestrini, M.A.
Professor of American Studies and Intermediality
Director of the Centre for Intermediality Studies in Graz (CIMIG)
Karl-Franzens-Universität
Institut für Amerikanistik
Attemsg. 25/II
8010 Graz
Austria
*********************************************************
Google Search the archive |
Contact the Editors |
NOJ | Zembla | Nabokv-L Policies |
Subscription options | AdaOnline | NSJ Ada Annotations | L-Soft Search the archive | VN Bibliography Blog |