[Jansy Mello sends this link.  Anybody want to suggest any such tales?
 
Vladimir Nabokov short stories concerned with the dangers of love, lust, beauty, or desire?

laurence hochard wrote:

Odd as it may seem, I'd suggest "Signs and Symbols", as a short story concerned with lust as the threshold to Hell.

Laurence Hochard
writes:”
Odd as it may seem, I'd suggest "Signs and Symbols", as a short story concerned with lust as the threshold to Hell.” He started by noting that it would seem “odd” and I couldn’t agree more with him. Where lies the lust of the lost in it? Perhaps Laurence could remind us of anything particular he found in the photos, or does it lie in the similarity between a vision of a lovable arm that connects it to a scene in Lolita? (I have no access to the quotations now). I thought the original question was, itself, quite intriguing once we agree that everything in life is positively dangerous. Would any Nabokovian character have ever found himself hindered by the dangers of love, lust or beauty?  
Jansy Mello


 
Alexander Drescher replies:
 
 
Odd? Certainly not obvious. Please explicate.]



I'll do it willingly but a few days after Christmas if you don't mind, as I won't have access to Nabokov-L in the next few days and I don't have time right now.
Jansy: Yes it does have something to do with the photos
As for the "lovable arm", I don't see what scene in Lolita you have in mind, and the naked arm in Signs and Symbols is not at all lovable

In the meantime, I wish a merry Christmas to all list members

Laurence Hochard

Date: Sat, 22 Dec 2012 21:13:11 -0500
From: nabokv-l@HOLYCROSS.EDU
Subject: [NABOKV-L] QUERY: Love and lust in VN's stories?
To: NABOKV-L@LISTSERV.UCSB.EDU

Alexander Drescher replies:
 
 
Odd? Certainly not obvious. Please explicate.


On Dec 18, 2012, at 4:17 PM, laurence hochard wrote:

Odd as it may seem, I'd suggest "Signs and Symbols", as a short story concerned with lust as the threshold to Hell.

Laurence Hochard
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All private editorial communications are read by both co-editors.