Vitaly writes:
My question below was met with silence -- here's the bits I have:
"Timon" is the only Shakespeare's play without family ties, romantic affections, or women of any consequence.
This, along with Timon's misanthropy, must make "Timon" a Botkin's favorite.
"Coriolanus" was a favorite of T.S. Eliot who wrote a poem "Coriolan",
and whom Hazel read. It also serves as a bawdy rhyme in "Brush Up Your
Shakespeare" ("Kiss Me Kate", 1948).
Where the leading lady's name is Lilli Vanessi.
The main character in "Coriolanus" has a 12-line monologue of heroic
couplets when he's ill-at-ease having to beg plebes for their votes,
and this form is presumably considered below the classy unrhymed
pentameter but not quite down to the plebeiean prose.
So to tie it together within the Hazel Hypothesis would go something like this:
As Botkin's psychogenic fugue is going strong, Hazel's spirit nudges him
with various turns and details of the tale. As this collaboration
produces an important tunnel to a theater, Botkin's favorite
Shakespearian play, which he knows well in Russian and some
Scandinavian, comes to be Kinbote's talisman, with Timon Alley over the
tunnel thrown in.
Hazel, with her contribution, adds a "Coriolanus Lane", with name fresh
to her from T.S. Eliot and Cole Porter (and with another Vanessa vibe).
Shade, after hearing Botkin's tale, steals Timon's words on reflections
for the title of a new poem on reflections in love and death.
Shade also, when hearing of Coriolanus, recalls the play's demeaning
attitude to rhymed couplets and decides to give this poetic form another
life. Lest "the dust on antique time would lie unswept".
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