M.Roth: Maureen
Johnston's query about "miserable concoction" caused me to read more closely
section 5 of Ch. 11 of SM. I was surprised to find there a reference to Ella
Wheeler Wilcox. I see that VN did indeed know of her work (her poems, at least),
I will venture the possibility that Mrs. Wilcox does indeed make a cameo
appearance in Shade's poem. Three parallels:Shade: "For as we know from
dreams it is so hard / To speak of our dear dead!" (589-590)Wilcox: "The effort
to obtain communication with our dear dead should begin with prayer and
supplication..." (408) Shade: "I'm reasonably sure that we survive / And that
somewhere my darling is alive..." (977-78)/Wilcox: "Somewhere beyond all this I
believed my Robert was living..." (347)/Shade: "A medium smuggled in / Pale
jellies and a floating mandolin." (639-40)/Wilcox: Here is a picture of Wilcox
with her beloved mandolin. Of these parallels, I think the last is most
definitive, unless of course there is another good reason to have a mandolin
there.
J.
Mello:The parallels are striking indeed, even when we consider that
this kind of spiritualistic language is full of stereotypes that would
easily gain echoes here and there.It seems VN made deliberate use of "dear
dead", "somewhere beyond he/she is alive"... and VN might
even have been serious about it, at least during the period that
came after his father's assassination.
Nabokov
wrote to his mother: "We shall see him again. Everything will
return" [P.Meyer, Find What the Sailor Has
Hidden, (106,240) ].
Pale jellies and a floating mandolin apparently clinch it! ( suggests a
surrealistic scene by Dali)
Sirin, dark owls and the phoenix are present in "Pale Fire" not only from
what J.Friedman brought up about "another owl",
mentioning a post from Matt Roth on Hamlet and the ghost. There was a
discussion at the List some time ago about Shakespeare's orchard - and the
"date palm"- often associated to the phoenix.