Dear List,
Sometimes long messages are bothersome, but since most of the lenght
comes from quotations, I'll keep isolating these from my own comments using
colored letters. There are lines I could not locate ( I don't have a
digital "Speak, Memory", so I mention them relying on my own
very faulty memory).
My intention is to invite you to help me explore
these "tactile" issues ( mouth, eyes, fingers), not intrude any
deffinite or fully explored conclusion.
The first mention I want to make concerns the
word "tesselated":
1. Pale
Fire:
"The newspaper reader's face
had been atrociously injured in the recently mentioned explosion, and all
the art of plastic surgery had
only resulted in a hideous tessellated
texture with parts of pattern and parts of outline seeming to
change, to fuse or to separate, like fluctuating
cheeks and chins in a
distortive mirror."
2.
ADA:
(a) General Ivan Durmanov, Commander
of Yukon Fortress and peaceful country gentleman, with lands in the Severn
Tories (Severnďya Territorii), that tesselated
protectorate still lovingly called 'Russian' Estoty, which commingles,
granoblastically and organically, with 'Russian' Canady, otherwise 'French'
Estoty...
(b) Darkbloom's notes at
the end: p.9. granoblastically: in a tesselar (mosaic)
jumble; (c). "... he went on ranting that way for a couple of minutes and
then literally fell at her feet, kissing her feet, imploring her pardon, and for
a little while longer she kept gazing at him pensively...Those were the
fragments of the tesselation, and there were others, even more
trivial; but in coming together the harmless parts made a lethal
entity..."
What called my attention some time ago was this
same word, as used by Nabokov (a reminiscent character in Speak,
Memory), in order to describe the feel of "tesselation" against his
lips when he kissed his veiled mother. Since then, the term
acquired rather ominous associations, beside "texture" or some
"web-textile".
The second mention is in relation to the word "parapet" ( B.Boyd called our attention to Ada's addressing
Lucette as "pet" in contrast to the French "pet". I want to add another
"sonorous" variation for "pet" (as "breast", "pectus") since
"parapet" is place to "lean the breast on", as you find in
English under "breastwork or window
sill". In Portuguese we have the connection very clear (
parapet/parapeito; window sill/peitoril, and peito/breast).
This word is often present in various texts by
Nabokov, mentioned in PF's Index, used to mark something in time or
space. (The "I" could have been inserted as a "knob" or "emergency brake of
time"?)
The first time I noticed it was in relation
to the image of a "V" shaped surface ( like the mathematical sign for
"root", as "the square root of I is I")
1. Bend Sinister:
(a) Let us touch this and look
at this. In the faint light (of the moon? of his tears? of the few lamps
the dying fathers of the city had lit from a
mechanical sense of duty?) his
hand found a certain pattern of roughness: a furrow in the stone of the
parapet and a knob and a hole with some moisture inside -
all of it highly magnified as the 30,000 pits in the crust of the plastic moon
are on the large glossy print which the proud selenographer shows his young
wife. On this particular night, just after they had tried to turn over to me her
purse, her comb, her cigarette holder, I found and touched this - a selected
combination, details of the bas-relief. I had never touched this particular knob
before and shall never find it again. This moment of conscious contact holds a
drop of solace. The emergency brake of time. Whatever the present moment is, I
have stopped it. Too late...Krug - for it was still he - walked
on...
(b) A combination of three
tiny brown spots, birthmarks on the faintly flushed cheek near the nose
recalled some combination he had seen, touched, taken in recently - what
was it? The parapet.
2.
LATH:
(a) A
low wall of gray stone, waist-high, paunch-thick,
built in the general shape of a transversal
parapet, put an end to whatever life the roadstill had as a town
street. A narrow passage for pedestrians and cyclists divided the
parapet in the middle, and the width of that gap
was preserved beyond it in a path which after a flick or two slithered into a
fairly dense young pinewood. You and I had rambled
there many times on gray mornings,when lakeside or poolside lost all
attraction; but that evening, as usual, I terminated my stroll at the
parapet, and stood in perfect repose, facing the low sun, my
spread hands enjoying the smoothness of its top edge on both
sides of the passage. A tactile something, or the recent
ra-ta-tac, broughtback and completed the image of my twelve
centimers by ten-and-a-half bristol cards, which you would
read chapter by chapter whereupon a great pleasure, a parapet of
pleasure, would perfect my task: in my mind
there arose, endowed with the clean-cut compactness of some great solid--an
altar! a mesa!--the image of the shiny photocopier
in one of the offices of our hotel. My trustful hands were still spread,
but my soles no longer sensed the soft soil. I
wished to go back to you, to life...and I could not...I
must have hung in a spread-eagle position for a little while longer
before ending supine on the intangible soil ( 235,236).
(b) She was awfully eager
to read the rest of the manuscript, but that fragment
ought to be scrapped...marred by a fatal philosophical
flaw....I had described a person in the act of imagining
his recent evening stroll. A stroll from point H
(Home, Hotel) to point P (Parapet,
Pinewood). Imagining fluently the
sequence of wayside events--child swinging in villa
garden, lawn sprinkler rotating, dog chasing a wet ball. The narrator
reaches point P in his mind, stops--and is puzzled and
upset (quite unreasonably as we shall see) by being unable to
execute mentally the about-face that would turn direction HP
into direction PH... "His mistake," she continued, "his
morbid mistake is quite simple. He has confused direction and
duration. He speaks of space but he means time.His impressions along the
HP route (dog overtakes ball, car pulls up at next villa) refer
to a series of time events, and not to blocks of painted spacethat a child
can rearrange in any old way. It has taken him time--even if
only a few moments--to cover distance HP in thought. By
the time he reaches P he has accumulated duration,
he is saddled with it! Why then is it so extraordinary that he
cannot imagine himself turning on his heel? Nobody can imagine in
physical terms the act of reversing the order of time. Time is
not reversible. (252)
3. Pale Fire:
(a) no wonder one weighs on one's palm with a dreamy smile the
compact firearm in its case of suede leather hardly bigger than a
castlegate key or a boy's seamed purse, no wonder one peers over the
parapet rather casually.
(b) The King, now at the most
critical point of his journey, looked about him, scrutinizing the few
promenaders and trying to decide which of them might be police agents in
disguise, ready to pounce upon him as soon as he vaulted the
parapet and made for the Rippleson Caves...Nitra and Indra
(meaning "inner" and "outer"), two black islets that seemed to address each
other in cloaked parley, were being photographed from the parapet
by a Russian tourist, thickset, many-chinned, with a general's fleshy
nape. His faded wife...
(c) and a heraldic butterfly
volant en arričre, sable, a bend gules, traversed the stone
parapet, and John Shade took a fresh card.
(d) Vanessa, the Red Admirable
(sumpsimus), evoked, 270; flying over a parapet on a Swiss
hillside, 408; figured, 470; caricatured, 949; accompanying S's last steps in
the evening sunshine, 993.