Content-Type: message/rfc822 Date: Sun, 01 Oct 2006 02:07:58 -0400 From: "jansymello" To: Subject: Fw: [NABOKV-L] On symmetry and Kinbote/ a red faced correction Mime-Version: 1.0 Content-Type: multipart/mixed; boundary="=__Part4763102E.1__=" --=__Part4763102E.1__= Content-Type: multipart/alternative; boundary="=__Part4763102E.2__=" --=__Part4763102E.2__= Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit A correction ( once again!) : When writing about "The Eve of St. Agnes" and "gules" I mentioned "red reflections of stained glass". The Red Admiral - Vanessa atalanta - has two red gules, but these in Keats are merely "warm" ( they might be yellow, orange, red...). Actually, in "LATH", VN mocks a translation from Keats' "a thing of beauty...", rendered as "Vsegda nas raduet krasivaya veshchitsa" in Russian. But also there he also writes about parturition and "a frightening stained window at every turn - the afterimage of a wounded orifice" ... Jansy ----- Original Message ----- From: jansymello To: Vladimir Nabokov Forum Sent: Sunday, October 01, 2006 1:30 AM Subject: Re: [NABOKV-L] On symmetry and Kinbote Dear List and William Dane, CK wrote about PF as "the only novel I know that has an index even of any sort". WD's answer began with: "Another VN work that ...." before he suggested a comparison of their indexes. Would you include SM among VN's novels? ( I remember reading an explanation on this question, but I cannot now remember where ). In a posting distributed on August 9,2006, discussing VN's "heraldic images" I found two examples of the use of the word "gules" in poetry ( in E. Cobham Brewer 1810-1897. Dictionary of Phrase and Fable. 1898.) One came from Timon of Athens and another from Keats in "The Eve of Saint Agnes". As a student, a long time ago, I was taught to pronounce "gules" like "jewels" ( and "gaol" as "jail"). Keats' poem speaks of "gules" as coming from the red reflections of the light of a wintry moon shining through stained glass. Colored windows are a recurrent theme in VN, particularly so in LATH. If anyone thinks that VN might have been mentioning Keats and "his warm gules" then there may be something else to chase... Would we find anything about Tamara in Fair Madeline's story? If so, how would it emerge in the guise of Zemblan jewels in Pale Fire? Jansy Then there is the little chase that starts with the listing for Jewels, which sends us to Stained Glass, which sends us to Pavilion (and back to Jewels.) ----- Original Message ----- From: William Dane To: NABOKV-L@LISTSERV.UCSB.EDU Sent: Saturday, September 30, 2006 11:06 PM Subject: Re: [NABOKV-L] On symmetry and Kinbote . Perhaps it would serve an analysis of Pale Fire's index well to compare how the two function in relation to their works. I wonder for one thing if Speak, Memory's index appeared in the original version of that work (that is, prior to Pale Fire)? And if so, was it changed in any way for the newer version? A few interesting things that jump out on a quick analysis of the SM index include the presence of some of Nabokov's novels (The Real Life of Sebastian Knight is listed under S, of all letters). Then there is the little chase that starts with the listing for Jewels, which sends us to Stained Glass, which sends us to Pavilion (and back to Jewels.) In the two references under Pavilion (215-216; 230), we find descriptions of VN's pavilion in the woods, the little bridge near it (which brings to mind the bridge in the poem in SM's Foreword), Tamara and her friends' graffiti, Tamara and her friends themselves....I also see on page 217 a reference to a "pillared heap of stones marking a mountain trail", which brings to mind the Zemblan word Steinmann (PF page 143). At any rate these things may warrant deeper and more careful digging. wd ---------------------------------------------------------------------------- Date: Sat, 30 Sep 2006 10:08:01 -0800 From: chaiselongue@EARTHLINK.NET Subject: Re: [NABOKV-L] On symmetry and Kinbote To: NABOKV-L@LISTSERV.UCSB.EDU > I don't see K. and S. getting confused in the Index entry on Shade. A lot of the pronouns do indeed refer to Kinbote, but they always have an antecedent in an earlier K. I took that as more of his egoism. > > Yes, it's interesting that the letter C can sound like both K and S (and it looks like, and is etymologically related to, G). But at that level you can konnekt everything with everything elce. Dear Jerry, Since this is the only novel I know that has an index even of any sort, I can't say that you are wrong, but in usual indexes the "he" refers to the person named in the heading. But under "Shade" in this index Shade is sometime "S" and sometimes "he"'; Kinbote is sometimes "K" and sometimes "he." The entries under "Kinbote" don't make this confusion. I do wish someone would analyze that Index - - it is quite interesting. For example this is found on the title page: "The capital letters stand for the three main characters G, K. S (which see) in this work." That "(which see)" is interesting because there are no such headings in the index, whereas the rest of the "qv"s always do take you to other headings, if not always helpfully. So I think "see" might be a pun on "C" just as "capital letters" is a pun on "characters." My attention was drawn to this as a clue because of the odd combination of simplicity and deceit in this apparently innocent statement. I was also struck at the oddity of the ordering of the three "characters" (why not K, S, G or S, K, G?). I concluded that VN wished to draw the reader's attention to those characters/letters - - but of course I could be wrong as you suggest. (In your theory, is it egoism if someone fulsomely admires his other personality? Maybe Kinbote suffers from alteregoism.) Alteregoism? Wonderful! (why didn't I think of that?) Carolyn Search the Nabokv-L archive at UCSB Contact the Editors All private editorial communications, without exception, are read by both co-editors. Visit Zembla View Nabokv-L Policies ------------------------------------------------------------------------------ Share your special moments by uploading 500 photos per month to Windows Live Spaces Share it! Search the Nabokv-L archive at UCSB Contact the Editors All private editorial communications, without exception, are read by both co-editors. 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A correction ( once again!) :
When writing about "The Eve of St. Agnes" and "gules" I mentioned "red reflections of stained glass". 
The Red Admiral - Vanessa atalanta - has two red gules, but these in Keats are merely "warm" ( they might be yellow, orange, red...).  
Actually, in "LATH",  VN  mocks a translation from Keats' "a thing of beauty...", rendered as "Vsegda nas raduet krasivaya veshchitsa" in Russian.
But also there he also writes about parturition and  "a frightening stained window at every turn - the afterimage of a wounded orifice" ...
Jansy
 
 
----- Original Message -----
From: jansymello
To: Vladimir Nabokov Forum
Sent: Sunday, October 01, 2006 1:30 AM
Subject: Re: [NABOKV-L] On symmetry and Kinbote

Dear List and William Dane,
 
CK wrote about PF as "the only novel I know that has an index even of any sort". 
WD's answer began with: "Another VN work that ...." before he suggested a comparison of their indexes.
Would you include SM among VN's novels? ( I remember reading an explanation on this question, but I cannot now remember where ).
 
In a posting distributed on August 9,2006, discussing VN's "heraldic images"  I found two examples of the use of the word "gules" in poetry ( in E. Cobham Brewer 1810-1897. Dictionary of Phrase and Fable. 1898.) One came from Timon of Athens and another from Keats in  "The Eve of Saint Agnes".  
 
As a student, a long time ago, I was taught to pronounce "gules" like "jewels" ( and "gaol" as "jail").  
Keats' poem speaks of "gules" as coming from the red reflections of the light of a wintry moon shining through stained glass.  Colored windows are a recurrent theme in VN, particularly so in LATH. 
If  anyone thinks that VN might have been mentioning Keats and "his warm gules" then there may be something else to chase... 
Would we find anything about Tamara in Fair Madeline's story? If so, how would it emerge in the guise of Zemblan jewels in Pale Fire? 
Jansy
 
Then there is the little chase that starts with the listing for Jewels, which sends us to Stained Glass, which sends us to Pavilion (and back to Jewels.)  
----- Original Message -----
From: William Dane
To: NABOKV-L@LISTSERV.UCSB.EDU
Sent: Saturday, September 30, 2006 11:06 PM
Subject: Re: [NABOKV-L] On symmetry and Kinbote

 
. Perhaps it would serve an analysis of Pale Fire's index well to compare how the two function in relation to their works. I wonder for one thing if Speak, Memory's index appeared in the original version of that work (that is, prior to Pale Fire)? And if so, was it changed in any way for the newer version?
 
A few interesting things that jump out on a quick analysis of the SM index include the presence of some of Nabokov's novels (The Real Life of Sebastian Knight is listed under S, of all letters). Then there is the little chase that starts with the listing for Jewels, which sends us to Stained Glass, which sends us to Pavilion (and back to Jewels.) In the two references under Pavilion (215-216; 230), we find descriptions of VN's pavilion in the woods, the little bridge near it (which brings to mind the bridge in the poem in SM's Foreword), Tamara and her friends' graffiti, Tamara and her friends themselves....I also see on page 217 a reference to a "pillared heap of stones marking a mountain trail", which brings to mind the Zemblan word Steinmann (PF page 143). At any rate these things may warrant deeper and more careful digging.
 
wd





 

Date: Sat, 30 Sep 2006 10:08:01 -0800
From: chaiselongue@EARTHLINK.NET
Subject: Re: [NABOKV-L] On symmetry and Kinbote
To: NABOKV-L@LISTSERV.UCSB.EDU


> I don't see K. and S. getting confused in the Index entry on Shade.  A lot of the pronouns do indeed refer to Kinbote, but they always have an antecedent in an earlier K.  I took that as more of his egoism.  
>
> Yes, it's interesting that the letter C can sound like both K and S (and it looks like, and is etymologically related to, G).  But at that level you can konnekt everything with everything elce.

Dear Jerry,

Since this is the only novel I know that has an index even of any sort, I can't say that you are wrong, but in usual indexes the "he" refers to the person named in the heading. But under "Shade" in this index Shade is sometime "S" and sometimes "he"'; Kinbote is sometimes
"K" and sometimes "he." The entries under "Kinbote" don't make this confusion.

I do wish someone would analyze that Index - - it is quite interesting. For example this is found on the title page: "The capital letters  stand for the three main characters G, K. S (which see) in this work."

That "(which see)" is interesting because there are no such headings in the index, whereas the rest of the "qv"s always do take you to other headings, if not always helpfully. So I think "see" might be a pun on "C" just as "capital letters" is a pun on "characters." My attention was drawn to this as a clue because of the odd combination of simplicity and deceit in this apparently innocent statement. I was also struck at the oddity of the ordering of the three "characters" (why not K, S, G or S, K, G?).

I concluded that VN wished to draw the reader's attention to those characters/letters - - but of course I could be wrong as you suggest.

(In your theory, is it egoism if someone fulsomely admires his other personality?  Maybe Kinbote suffers from alteregoism.)

Alteregoism? Wonderful! (why didn't I think of that?)

Carolyn

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Share your special moments by uploading 500 photos per month to Windows Live Spaces Share it!

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All private editorial communications, without exception, are read by both co-editors.

Visit Zembla

View Nabokv-L Policies

Search the Nabokv-L archive at UCSB

Contact the Editors

All private editorial communications, without exception, are read by both co-editors.

Visit Zembla

View Nabokv-L Policies

Search the Nabokv-L archive at UCSB

Contact the Editors

All private editorial communications, without exception, are read by both co-editors.

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