Southey, and Coleridge as well,
espoused the cause of the French Revolution in their youth when they
planned to emmigrate to America and there establish a "pantisocratic"
utopia. Transparent Things and Ada often alude to the French
Revolution and, indirectly, to various other tyrannies ( D.B.J called
out attention, via R. Southey, of VN´s indirect and intense anger
directed against a German bishop for his cruelty when burning the
poor in a barn. It occurred to me that VN might be somehow alluding to
Nazi Germany?).
The burning barn in Southey´s poem
may not be unrelated to the "burning barn" episode in Ada, although I
can find no obvious link for VN´s returning, in his later
novel, to such a recondite reference from PF.
Perusing my old high school anthology ( Louis Untermeyer´s) I read
under Robert Southey: " R.S´s collected verse, together with the
superfluously explanatory notes, crowds ten volumes. His prose fills
about forty. Never before or since has Pegasus been so hobbled..."
Southey´s poems were mocked by Byron ( in the opening of Don Juan) and
Lewis Carroll´s "Father William".
Bringing together Prof. Hurley and
Southey appears to be, in itself, a cruel comment...
VN, if I´m not mistaken, also wrote
about Proust´s cruelty to rats - and, since I remember this subject
having appeared in a former discussion at Nabokov-L, there might be
other references to rats in VN´s books ( which could help to understand
the reference to Southey and his preference for roasted rats) but which
I cannot recall at the moment.
Jansy
And yet, why would R.Southey be
brought up together with Prof. Hurley? Why would R.Southey himself have
decided to write a poem on a German bishop?