Subject:
Nabokov's prose is flawless ...
From:
"Sandy P. Klein" <spklein52@hotmail.com>
Date:
Sun, 05 Mar 2006 13:49:32 -0500
To:
SPKlein52@HotMail.com

 
 
 
 

Sunday, March 5, 2006 10:26 AM PST

ON MY NIGHTSTAND
The Star-Ledger Sun, 05 Mar 2006 5:31 AM PST

Sunday, March 05, 2006

Vince Passaro is a contributing editor at Harper's magazine and author of the novel "Violence, Nudity, Adult Content." He has taught at Columbia University's graduate writing program, and he is at work on his second novel. Passaro spoke with freelance writer Dylan Foley by telephone from his home in Manhattan.

What have you been reading?

I recently finished Deborah Eisenberg's "Twilight of the Superheroes," which was just breathtaking. What she manages to do with fractured narratives and her ability to touch on psychological and social issues is amazing. I can't figure out how she takes you from the beginning of a story to the end. I like the fragmentary quality of her prose and the trenchant way she packs a sentence. Her air of knowing irony is pleasing to me.

I've read a lot of Vladimir Nabokov in the past year. I came late to Nabokov. The most recent thing I read was "Pnin," about a Russian professor teaching at a small American college. It's brilliant. At the beginning, you think he's just making fun of Pnin, but as the book goes on, you see the deep love Nabokov has for his character. Nabokov's prose is flawless. He can write a sentence that is 150 words long and you never miss a beat or a breath. Nabokov's writing is ornate, but at the same time it's crystal clear, like a beautiful cathedral.

Two of my favorite writers of the 20th century are Nabokov and Joseph Conrad. Both of them were writing in English as their fifth language. Conrad's "Heart of Darkness" is the greatest novel in English. It's a very funny book. Conrad is the most ironic writer. I try to use it in my classes, but it's impossible to teach it to young, contemporary American students. They just don't get it. They can't even come close to getting it.

 
 


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