BOOK An exploration of the Russian themes of love and
death
Book: The master of
Petersburg Author: J. M. Coetzee Publisher:
Penguin books Reviewed by: Tony
Mochama
Perhaps only a writer of J. M.
Coetzee’s stature (winner of the Booker for his novel,
"Disgrace," and a Noble for literature) would dare to imagine
a year in the life of Fyodor Dostoyevsky, the great nineteenth
century novelist, and set it in book form.
The year is 1869, Dostoyevsky,
haunted by the death of his son and wracked with guilt (he
sent the lad, Pavel Alexandrovich, a savage missive over his
extravagance, just before the young man’s demise) comes to St.
Petersburg – from Dresden – to ascertain whether his son
committed suicide or was murdered.
In the process, he gets entangled
with a policemun called Marx Maximov, a tramp called Ivanov, a
revolutionary called Sergei and a woman called Anna Sergeyevna
and her daughter, Matryona.
As Dostoyevsky becomes entangled
in the violent dreams of the men who may have executed his
boy, Coetzee attempts to explore the great Russian themes of
love and death through the first person singular, through the
"remembrances of a man who embraced a widow and her
child." In the process, the
surfaces of paedophilia in St. Petersburg’s dark alleys are
explored by Coetzee, in an attempt literature readers will
recognise as a facsimile of Nabokov’s "Lolita" in another Era.
1869.
Coetzee’s biggest failing, to
this reviewer’s thinking, is the void created by his
non-exploration of Fyodor Dostoyevsky’s creative life which,
considering the character whose life he recreates, maynot
quite be a disgrace.
But it is a dreadful pity, all
the same. |