EDNOTE. Barbara Wyllie is the author of NABOKOV AT
THE MOVIES (McFarland, 2003). Chapter VII "Altered Perspective and Disruption"
(pp. 218-249) focuses on TT.
----- Original Message -----
Sent: Tuesday, June 15, 2004 2:28 AM
Subject: Re: Fw: The Sterile later Inventions? Transparent Things
& LATH
Not to blow my own trumpet necessarily, but there's
a whole chapter on TT in my book, Nabokov at the Movies which deals
with perceptions of time and space and the camera eye. Having initially thought
this was rather a slight work, it proved to be quite the opposite.
Re Frost and Pale Fire - I'm fascinated by
Mark Bennett's comments - they don't seem like a stretch at all. I will
have to take a look.
Barbara Wyllie
SSEES/UCL
----- Original Message -----
Sent: 15 June, 2004 12:50 AM
Subject: Fw: The Sterile later
Inventions? Transparent Things & LATH
----- Original Message -----
From: "ken tapscott" <kentapscott@hotmail.com>
>
----------------- Message requiring your approval (28
lines)
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> I reread a copy of _Transparent Things_ last year,
for the first time
since
> about 1978; at the ripe old age of 47 I
found it to be clever in
> construction, yes, but essentially pointless,
an unnecessarily elaborate
> "joke" about a man who is endlessly
described as boring, uninteresting,
and
> talentless. The other
characters are equally unpleasant or outright
> repellent. Why did
someone of Nabokov's talent waste his time on
characters
> which he
was at great pains to indicate were uninteresting as human
beings?
>
At least the monstrous Humbert, and N.'s other crazed figures, are
>
_interesting_ and intelligent enough to seem compelling. I just
don't
think
> _TT_ holds up after all this time.
>
> But
regarding _Look at the Harlequins!_, which some have indicated is a
>
minor Nabokov work, I can't agree. I've read that book about 5 times
very
> closely, and there is just something about it which is haunting
to me, in
> fact it seems to me to be the most mysterious of all of N's
novels, or at
> least the one with the most mystery which I can't
resolve. The
relationship
> between VV, the narrator-novelist, and
Nabokov himself is as yet
> unexplicated. I am _convinced_ that, just as
VV's novels appear to be pale
> imitations of Nabokov's works, that VV's
own life is derived essentially
> from parodies of passages of Nabokov's
own novels. There is something
about
> LATH that has that feeling of
being right on the tip of my tongue, but I
> just can't figure it out.
And the book is so crazy in tone and
> circumstances, that I can't help
being fascinated by
it.
>
------------------------------------------------
EDNOTE.
Thanks to Ken Tapscott for his thoughtful remarks. I share his
fascination
for LATH (about which I published two (mildly) contradictory
analyses). It
is helpful to to keep in mind that it was, in part, VN's
response to Andrew
Field's VN biography. See the Boyd article in BIBLion
(NYPL). TT is, I
think, a very good tale and I offered a close reading of it
(and LATH) in
Alexandrov's GARLAND Guide to VN. Perhaps this summer NABOKV-L
might try a
"group-read" of one of these. Reactions?