Thanks a lot for all of you who replied to my letter; it was so pleasant to get such a response. The list said their decisive and irrevocable “may be”*.
But still
I’m in trouble. According to Ms. Kunin’s observation pensive, Ada
can be an allusion (parody, intertext, reference, think-of-a-term) to
Addams or vice versa (if not the time-shift typical to “other”
worlds). And there is no way out of this subjunctive trap. The thing is that the
book is full of the same kind of possible threads that lead to nowhere. They can
be “delightfully ridiculous” or absolutely definite and proven by VN himself.
But does a reader get a deeper understanding of the book finding such minor
details? Is it a right way to take in an academic research? “Guides to
Whatever”, do they really help? What are the conclusions? The inevitable “so
what”?
The idea
about Addams family was produced at night, in love ardor, in my own mind ® and
was generated by the following premises: reading Mr. Wood’s book and hard
attempts to find the passages he refers to in the text of Ada**, the successive
re-reading of this exquisite novel, and recent broadcast of The Addams
Family new series based on the movie, based on the old series (VN was always
very realistic in his prose) ***.
May be there is sense in concentrating over the brain-work and cognitive patterns that help us to create the world of VN’s novels. To think about the level of understanding and not just making sense. Speaking widely, are there intensive, not extensive ways of literary research? If one asked me such a question, I would be at a loss… Do the scholars have an answer?
*A good
name for a female-personage.
**This is
about the importance of putting the reference page numbers after the quote in
good academic research. VN was always careful about it even in invented
books.
*** CTC channel, Russia.
Sincerely,
Raya Seem.,St. Petersburg.
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EDNOTE. One can read a novel anyway one likes. There is no formula and the answer for the individual depends mostly on his/her particular interest and the nature of the particular book. My own approach to VN (following sheer delight) is, in your terms, intensive. I am not interested in the social impact of, say, LOLITA. Many critics are interested in VN's moral attitude to the novel's events. I am not. I am strongly interested in those allusions that may seem to lead nowhere. In fact they almost always do bear on the novel's themes -- if you get to the bottom layer. You can, of course, read the books without getting into these details but, once seen, they add greatly to the work as a whole. And they are fun--which is why I read novels (and lots of non-fiction). Let me hasten to add, NABOKV-L runs material showing a great variety of approaches and welcomes them all.