EDITOR's NOTE. The originator of this posting tells me it did not
go out, although my machine says it did. Could someone advise me whether
this was received - or, for that matter, were any NABOKV-L postings received
for March 30-31. The computer gods move in strange ways.
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-------- Original Message --------
Subject: | [Fwd: Speak, Memory, Amis, and a German stage adaptation of Lolita] |
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Date: | Sat, 31 Mar 2001 10:37:58 -0800 |
From: | "D. Barton Johnson" <chtodel@gte.net> |
Organization: | International Nabokov Society |
To: | vn <nabokv-l@listserv.ucsb.edu> |
1.
This link may have been posted before, but Jerofejew's text on Lolita
reminds me that the 16th ('unpublished') chapter of Speak, Memory
is also available (in German) at Zeit.de:
http://www.zeit.de/1999/9/199909_erinnerung.html
2.
The toothpaste problem and the "Pears" soap remind me of Martin Amis'
comment on Joyce and Nabokov: "I claim peership with these masters only
in one area. Not in the art and not in the life. Just in the teeth. In
the teeth." (Experience, 117) I suspect they all use or used the
same brand of toothpaste ("talent-o-dent": the company also produces dental
gloss) - not exactly good for the teeth, but quite inspiring.
What hasn't been mentioned on this list so far, I think, is Martin
Amis' comment on Experience and Speak, Memory in an interview
on Australian TV in July 2000. I quote from the transcript (http://www.abc.net.au/lateline/s154354.htm):
TONY JONES: So we have become used to Martin Amis the novelist,
obviously, manipulating
stories, and the question here is whether you
can, in fact, manipulate
the story of your own life and whether that in
the end could become
part of a post-modern experiment?
MARTIN AMIS: Well, you're making decisions and following
instincts in very
much the same way as you do with fiction, but it's far
more essayistic and
discursive form.
But your novelist
habits are so engrained that, of course, you're
looking for themes
and patterns and symmetries, and you're trying to
keep several balls
in the air at the same time.
I don't think it's
-- I mean, I've done nothing in this book that Nabokov
didn't do much more
skilfully in 'Speak Memory'.
There is a sort of
high-end kind of autobiography and there's the low
end.
My book is nothing
like as artistically patterned as 'Speak Memory',
although it may look
like 'Speak Memory' when compared to Joan
Collins's autobiography.
3.
As there seem to be a few people in Germany subscribed to this list,
it may be worth mentioning that there will be a stage adaptation of Lolita
performed (by students of Bonn University who apparently also wrote the
script) at the Brotfabrik
in Bonn in April. In the notes (http://www.brotfabrik-bonn.de/veranstaltungen/Theatersaal/theater_dilaemma.htm)
it says that the play tries to stay true to the novel, particularly to
its language. Humbert's paedophilia is mentioned as long having been surpassed
in brutality by 'real' child abuse.
Knowing that Albee's 1980 Lolita was a flop, I wonder if rewarding
adaptations of the novel are possible at all, and I'm curious to see what
this one will be about. Has anyone seen a good adaptation?