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Re: [NABOKOV-L] Book covers and Lilith
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Re Lilith and Lolita: see, inter alia, Julian Connolly, "Why Are Nymphets 'Demonic'? Remarks on the Cultural Roots of Nabokov's Lolita," in The Real Life of Pierre Delalande: Studies in Russian and Comparative Literature to Honor Alexander Dolinin, Part 2, ed. David M. Bethea, Lazar Fleishman, Alexander Ospovat (Stanford, 2007): 674-86.
Best,
JC
On Dec 11, 2010, at 2:12 PM, Jansy wrote:
> A peek into a corner of my Nabokov assemblage might not pass through our Nab-L editorial standards. However taking a picture of what I was looking at became the only way to describe a curious vision. The blurred title, in one of the Brazilian editions of "Lolita" became "Lilith"...
>
> I had never before linked the two names and I'm unsure if this suggestion ( Lolita as "the first woman") can hold. Added to what Nabokov has described in SO about his pleasure with the lolling softness of the "L," when the name of his nymphet is pronounced, Lilith's name, on the contrary, by the simplest substitution of "o-ee-a" for the "i" and a suspension, generates tension. Inspite of this constraint, perhaps Nabokov's subconscious could have registered the consonants while deciding about the title of his dolorous novel...
> Search the archive Contact the Editors Visit "Nabokov Online Journal"
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>
> <DSC00594.JPG>
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Best,
JC
On Dec 11, 2010, at 2:12 PM, Jansy wrote:
> A peek into a corner of my Nabokov assemblage might not pass through our Nab-L editorial standards. However taking a picture of what I was looking at became the only way to describe a curious vision. The blurred title, in one of the Brazilian editions of "Lolita" became "Lilith"...
>
> I had never before linked the two names and I'm unsure if this suggestion ( Lolita as "the first woman") can hold. Added to what Nabokov has described in SO about his pleasure with the lolling softness of the "L," when the name of his nymphet is pronounced, Lilith's name, on the contrary, by the simplest substitution of "o-ee-a" for the "i" and a suspension, generates tension. Inspite of this constraint, perhaps Nabokov's subconscious could have registered the consonants while deciding about the title of his dolorous novel...
> Search the archive Contact the Editors Visit "Nabokov Online Journal"
> Visit Zembla View Nabokv-L Policies Manage subscription options
> All private editorial communications, without exception, are read by both co-editors.
>
> <DSC00594.JPG>
Search archive with Google:
http://www.google.com/advanced_search?q=site:listserv.ucsb.edu&HL=en
Contact the Editors: mailto:nabokv-l@utk.edu,nabokv-l@holycross.edu
Visit Zembla: http://www.libraries.psu.edu/nabokov/zembla.htm
View Nabokv-L policies: http://web.utk.edu/~sblackwe/EDNote.htm
Visit "Nabokov Online Journal:" http://www.nabokovonline.com
Manage subscription options: http://listserv.ucsb.edu/