Vladimir Nabokov

NABOKV-L post 0014520, Thu, 28 Dec 2006 12:08:26 -0500

Subject
Re: shadow of a bird image
Date
Body
Carolyn,

Among the illustrations between pages 226 and 227 of Boyd¹s The American
Years there is a photograph of Vera and VN seated on either side of the
large plate-glass window whose reflected azure lured waxwings to the final
flights VN would meditate upon while planning Pale Fire. This is the window
in the Shade¹s home which seems to have been largely based on the home of
Lawriston and Ruth Sharpe at 880 Highland Road, which the Nabokovs rented.
The ecstatic waxwing voyages always remind me of Botkinbote¹s recollection
of his father¹s own last flight, with his confident wave captured in the
next-to-last photograph of the series his son finds years later. I¹m sure
others have made this connection.

The caption for the photo of this home says ³both the house and surrounding
gardens supplied many other images for Pale Fire.² In a walking tour of
Ithaca two summers ago, I saw at least two other Nabokov homes, including
the 82 East Seneca Street house that inspired the Ramsdale residence of
Charlotte and Lolita Haze, and the Nabokov¹s first Ithaca rental at 957 East
State Street. Both the Highland Road and East State Street homes share a
characteristic American college-town neighborhood with furnished rooms and
portions of private homes available for rent. Both are within an easy walk
of each other and of the Cornell campus ‹ in fact, Ithaca is a beautiful
town for walks, though a winter of heavy snow might be a challenge. The
Sharpe¹s home with the plate-glass window is in the somewhat more affluent
Cayuga Heights neighborhood which we did not visit.

Andrew






On 12/27/06 8:54 PM, "Carolyn Kunin" <chaiselongue@EARTHLINK.NET> wrote:

>>
> I still find it difficult to visualize exactly what Shade is describing in the
> opening lines of his Pale Fire. -- Charles
>
> Dear Charles,
>
> I've always pictured a glass roof with the little bird flying against the
> slope and the poet looking up. Doesn't make any sense of course now that I
> think about it, unless Shade actually lived in a glass house.
>
> But to think seriously, the only way the poet could be in the shadow of the
> bird, the sun would either have to be "at 9 o'clock" or "at 3 o'clock" and the
> bird, window and poet on the sun side of the house in a fairly exact
> alignment. The house was old, so the window must have been of modest size, not
> one of those modern plate glass affairs. Possibly it could only happen on one
> day of the year (like Stonehenge) either mid-winter or mid-summer - - St
> John's eve is it? depending on how the house itself is aligned.
>
> Interesting query. Of course the whole image could simply be a metaphor. If
> Sylvia and Sybil are birds, presumably their mate(s) would also be avian.
> Another indication perhaps that Shade is not shot, but lives on, flies on as
> the Kinbote-bird (anyone for Peter Pan)?
>
> Carolyn
>>
>
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