Vladimir Nabokov presents the most well-known and explicit rejection of Freud by a twentieth-century author and modernist. He dedicates his pivotal work, Lolita, to an extended satire of Freudian forms. Lolita is not only structured as a parodic case study, it is reliant on Freud’s theories of child sexual development, traumatic repetition, and father-child incest, while proliferating Freudian puns and wordplay. Lolita burlesques psychoanalytic interpretation, including its “symbol hunting” and paranoid style, while also relying on a “hermeneutics of suspicion.” As the chapter suggests, the only ethical orientation to Lolita is a hermeneutics of suspicion, one that reads Humbert’s discourse against the grain of his intentions and looks for flashes of Lolita and her experience through the confusing mesh of Humbert’s perspective.
Spitzer, Jennifer. Nabokov and the Lure of Freudian Forms. 2023
Bibliographic title
Nabokov and the Lure of Freudian Forms
Periodical or collection
Secret Sharers: The Intimate Rivalries of Modernism and Psychoanalysis Secret Sharers: The Intimate Rivalries of Modernism and Psychoanalysis
Page(s)
115-42
Publication year
Abstract
Internet link
Chapter 4